A startling collection of plays by playwrights working in the north and south of Ireland, all of which have been groundbreaking events in contemporary Irish theatre At The Black Pig's Dyke by Vincent Woods depicts a group of mummers in the borderland between North and South, blending their rituals of death with the all-too-modern assassins going about their awful task; in Hard To Believe by Conall Morrison an army intelligence agent for the British invokes his Protestant preacher grandfather and his turncoat father who married a Catholic and thereafter denied his background; in Disco Pigs by Enda Walsh two friends bonded in their fantasies and shared baby-talk face into Cork city on their seventeenth birthday; Frank Pig Says Hello by Patrick McCabe (Winner of the 1997 George Devine Award) is about the sullen meanness of a village community towards an innocently simple young man; in Language Roulette by Daragh Carville a group of young people in Belfast come together for a reunion and the underlying atmosphere is anger and revenge; Bat The Father, Rabbit The Son by Donal O'Kelly is a powerful personal story about the reversal of a father-son relationship where the son is envious of the father's unambitious expressiveness.Foreword by the award-winning Irish playwright, Sebastian Barry

A gothic science-fiction thriller, Observatory details the entangled lives of four people across two centuries Observatory is set at the Armagh Observatory and Museum for Astronomy and Natural Philosophy, in both 1799 and 1999. Historian Jon McKenna, hired to compile a computerised catalogue of the Observatory archives, finds his life becoming entangled with that of Nicola McLoughlin, assistant astronomer at the Observatory. Together they work to uncover the two-hundred-year-old story of astronomer Archibald Hamilton and his assistant Robert Hogg - man of science, man of God, and revolutionary. The Observatory, a symbol of both science and religion, becomes the setting for a powerful exploration of nationhood and revolution, love and betrayal."The writing is inspired, deceptively subtle behind its up-front bile and cracked humour" (Guardian)